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This is so much faster than I played it. HOLY SMOKES.

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(via fuckyeahcello)

My current desktop picture. Source: unknown (misc google).

My current desktop picture. Source: unknown (misc google).

Working in an office aint so bad.

Working in an office aint so bad.

(Source: http)

I am easily swayed towards jealousy. I am also easily swayed into thinking somewhere else is better than where I am. Today is especially the case on both accounts.

I am easily swayed towards jealousy. I am also easily swayed into thinking somewhere else is better than where I am. Today is especially the case on both accounts.


(via losdramas)

Concert Day

Well, one concert day done. Many more to come. I suppose this is what happens at the end of the school year.

Today’s performance; Piano Quartet featuring Brahms and things went very well indeed. I find I am most relaxed and comfortable on stage when I am in a small ensemble which is strange because you’d think the large numbers of an orchestra would give me MORE comfort. Reason it doesn’t; if I screw up in an orchestra setting I feel like I stand out more (if I come in too early or forget about the subito piano.. yeah, big screw ups), and once you screw up you can’t fake it out because it’s obvious YOU were the only one that didn’t come in/came in too soon (although I have to do something about my fear of always screwing up).

Anyways, I gained control of my nerves, I performed well, and I was thrilled. I thought it all sounded superb. Then I went to the recording booth and listened to myself and it sounded horrible. I was out of tune, unbalanced in the group, etc. This brought the high of a good performance down to the low of a bad performance in a matter of seconds and I suddenly wanted to curl up in a ball under my duvet. HOWEVER, after moping in the recording booth for awhile and editing all the ensembles to put onto CD I finally emerged to find a fellow cellist congratulating me on a good performance. I scoffed and remarked how out of tune I was (I said “thank you” first, of course) and she looked at me like I was crazy. She said it did not sound out of tune, that it sounded perfectly in tune (this is exactly what I thought it sounded like until I heard the recording). Of course I went back and listened to the track (this time in my car) and she was right. It sounded great. I have no idea why it sounded so horrible to me in the recording booth but it shed light on the fact that my extreme high and low were so unnecessary. I was muttering to myself such things as “I’ve worked so hard and I’ve come nowhere, this is pointless” and I was totally deflated as well as more than willing to scrap the practicing I had planned for later that day. Is the performance really so important that I’m willing to quit trying if it fails?

Yesterday I was reading an article that talked about “grit” and persevering. The biggest tip I got from it was to schedule a date; a Wednesday every three months where you will let yourself have a 10 minute identity crisis. During this crisis you can question what you’re doing and why. However, if a doubt pops into your mind anytime in between then and now you are to tell yourself “no, this is not the time to worry about this; I will think about this on _____ date”.

How brilliant. In lieu of this advice my next identity crisis will be on July 6th and until then I’m not allowed to say “this is pointless”.

L

Bad film quality but absolutely amazing..

How have I only just now heard about Charlotte Moorman?

Cello Breakthrough.
Following these last few days of thoughtful moping post Thursday’s  “performance”, I have stumbled upon a wonderful truth which has already  improved my playing 10 fold after a mere five hours of practicing  (considering the hours and hours of practice time I’ve put in over the  years, five hours is pretty instant in my books).
When I was 19 or so I quit cello after having played it for 13 years  because.. because of a lot of reasons. As I get older the reasons  change, but right now I’m settling with the fact that I wasn’t ready to  commit to a life of cello and music and what I experienced as the stuck  up classical world. I don’t regret my five year hiatus because it has  made me realize how happy playing the cello makes me, but in my mind my  19 year old self was pretty damn good and I have spent the past year and  a bit trying to get back to the level I was once at.
I’m not sure how to explain my latest revelation, but it has made me  realize how I should not try to get back to my 19 year old self because  my 19 year old self had no idea what she was doing. I’m not saying I  didn’t play well, but I really didn’t understand the relationship  between the notes I was playing or that they were even important. I  learned my part, practiced my shifts and bowing technique but to be  honest if you stopped me mid-piece and asked me what note I just played  (if I were playing from memory) I would have had no idea even if I knew  exactly where my finger was on the fingerboard (this was especially true  for anything in thumb position). If you asked me what key I just  modulated to and what relationship it had to the tonic I would stare  blankly and wonder how that had anything to do with making my piece  sound better.
Today, everything clicked. I feel like a new person, a new cellist. I  play more in tune because I understand what key I’m in, I know where to  shift because I can see all the notes in between my leap.. I don’t even  know how to express my joy. I still know I have a long way to go, but  I’m no longer trying to “catch up”. I can’t wait to practice tomorrow.
L

Cello Breakthrough.

Following these last few days of thoughtful moping post Thursday’s “performance”, I have stumbled upon a wonderful truth which has already improved my playing 10 fold after a mere five hours of practicing (considering the hours and hours of practice time I’ve put in over the years, five hours is pretty instant in my books).

When I was 19 or so I quit cello after having played it for 13 years because.. because of a lot of reasons. As I get older the reasons change, but right now I’m settling with the fact that I wasn’t ready to commit to a life of cello and music and what I experienced as the stuck up classical world. I don’t regret my five year hiatus because it has made me realize how happy playing the cello makes me, but in my mind my 19 year old self was pretty damn good and I have spent the past year and a bit trying to get back to the level I was once at.

I’m not sure how to explain my latest revelation, but it has made me realize how I should not try to get back to my 19 year old self because my 19 year old self had no idea what she was doing. I’m not saying I didn’t play well, but I really didn’t understand the relationship between the notes I was playing or that they were even important. I learned my part, practiced my shifts and bowing technique but to be honest if you stopped me mid-piece and asked me what note I just played (if I were playing from memory) I would have had no idea even if I knew exactly where my finger was on the fingerboard (this was especially true for anything in thumb position). If you asked me what key I just modulated to and what relationship it had to the tonic I would stare blankly and wonder how that had anything to do with making my piece sound better.

Today, everything clicked. I feel like a new person, a new cellist. I play more in tune because I understand what key I’m in, I know where to shift because I can see all the notes in between my leap.. I don’t even know how to express my joy. I still know I have a long way to go, but I’m no longer trying to “catch up”. I can’t wait to practice tomorrow.

L

(Source: Flickr / lindseyalyce)

I woke up this morning with this video freshly in my mind as I had watched it for the first time the night before. I was motivated to master my instrument and after a few morning classes I got right to practicing. My practice session was great; I worked on the hard spots of the third movement of the Haydn Cello Concerto in C (there are a lot for me) and I did not break concentration but remained focused and diligent in my efforts. Feeling like I’ve actually progressed in my cello playing after one practice session is not very frequent for me but today was that day - Starker was doing a great job of motivating me!

This is where things go downhill.

In the afternoon the cello ensemble had their regular Thursday masterclass and I was to perform my Haydn for a mere 4 people - my fellow cellists (whom I always perform in front of) and my teacher. Not only did I feel confident when I went up on stage, I was excited to show everyone how much I had improved on the sections that have given me so much trouble.

I began with my opening C.. firstly, it was out of tune, secondly, my vibrato was all over the place. I was telling myself “ok, you know how to do this, now relax and focus on this run”. Despite my best efforts and positive words I butchered the first run and stumbled to find the C with my thumb. Inevitably this led to a frantic slaughter of the whole third movement.

This has happened before. I am notorious for panicking and rushing and playing out of tune when I am performing in even the most casual of situations. My practicing is generally controlled and confident but put me on a stage with only my Mom in the audience and you will tense up when I shift and cringe when I crunch out a chord. I am not saying my practice sessions are perfect, but I find it seemingly impossible to even remotely reveal what my practice sessions have accomplished when I perform.

I’ve found that playing the cello (or any instrument for that matter) and really mastering it is such a personal, gut wrenching process that really requires you face your fears and insecurities. A lot of my hurdles when it comes to cello playing are so closely linked with my own personal struggles that it makes them impossible to ignore and my performance vomit is an excellent example of that. It’s possible that there is some technique I could use in my practice time that could help me perform, or perhaps I simply need to perform more, but I know that performance for me houses a lot of fear; fear of judgment and fear of making huge mistakes. Not so oddly these fears exist outside of cello playing, but playing the cello forces me to deal with these fears and for that I am grateful (although slightly reluctant). More to come.

L